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Spyway Projects

Spyway produces Surprising theatre – emotionally engaging yet thoughtful and thought provoking. We specialise in producing performances of all sorts in unusual locations and work everywhere from large theatres, through village halls to cafes and pubs. Our creative impetus comes from writers, new, established and emerging. We aim to produce well-made perfomances through excellent acting, direction and design. 

Spyway is a collaboration between theatre director and writer Peter Cooper and designer Annette Sumption as well as various other designers, musicians and artists.  We are based in Dorset but produce work throughout the UK.

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Blithe Spirit with Dramatic Productions PDF Print E-mail
Written by Peter Cooper   
Monday, 11 February 2013 10:39

Peter John Cooper has been invited to play the part of Dr. Bradman in Dramatic Productions' Blithe Spirit in March

Although Peter is more widely known as a writer and director, he is not unfamiliar with the acting side of the business.  In his early days in Rep he shared the stage with such up and coming young stars as Lindsay Duncan and Geraldine James.  He continued to fill in with all sorts of roles in touring theatre and most prominently played Davis in “The Caretaker”.  He was the definitive Captain Pugwash and was endorsed by the creator of the character, John Ryan, in a national tour.  In film and television he had a part as a Major General  in “The Jewel in the Crown” where the director famously stopped a very complex shot involving hundreds of extras and a steam train to get him more medals. More recently he made a short film with award winning Iosu Vakerizzo that did the rounds of the festivals and can be seen on YouTube.  You can occasionally see him on stage reading his poetry but Peter’s most recent acting role was, of course, as the Butler in Dramatic Productions’ version of “The Little Match Girl”.

Further details on Dramatic Productions' website

 
Literature Live Book of the Month for November PDF Print E-mail
Written by Peter Cooper   
Thursday, 01 November 2012 16:58

Peter John Cooper's book "She Opened the Door - the wife and the women who haunted Thomas Hardy" has been chosen as the November book of the month by Literature Live/Cyprus Well. It conatins the script of the original play plus a series of essays about how the play came to be written and what Peter learnt about Thomas and Emma Hardy through the writing.  This is a great honour and we hope that everyone who reads it will enjoy it.

Cyprus Well Book of the month for November

Last Updated on Thursday, 01 November 2012 17:04
 
Review from SceneOne PDF Print E-mail
Written by Peter Cooper   
Friday, 05 October 2012 14:16

The Cabinet Maker's Daughter

Thursday, 4th October 2012

AsOne Theatre at the Regent Centre, Christchurch

 

WELL over 100 years before women were considered equal enough to be given the vote there was a female in Lyme Regis who was struggling for acceptance in what was predominately a man’s world. Mary Anning was a British fossil collector, dealer and palaeontologist who became known around the world for a number of important finds she made in Dorset, yet as a woman she was not eligible to join the Geological Society of London, and she did not always receive full credit for her scientific contributions.  And although she saw herself as a Christian, she also fell foul of the church by questioning their teachings against what she saw as facts, much as Darwin was later to experience.

Peter Cooper’s absolutely fascinating play tells the story of this remarkable woman, setting it in the final months of her life as she is dying of breast cancer, her mind affected by the increasing doses of laudanum she is taking for pain relief. It is enhanced by a simple but extremely effective set (designed by Annette Sumption) that serves as both the local cliffs and Mary’s home, plus a back screen showing the sea or silhouettes of some of the creatures that roamed the Jurassic coast, and atmospheric sound effects and music, the latter composed by Roderick Skeaping.

An outstanding cast of three told the story so well that the audience was completely drawn in and you could have heard a pin drop, so intently were they listening. I must admit though that there were also one or two occasions when the sound effects meant that one really needed to listen hard to hear what was being said, voices being almost drowned out by the ‘storm’ raging outside.

Jane McKell, who is on stage throughout, gives a real tour-de-force as Mary while Rebecca Legrand is utterly convincing whether as Mary’s reluctant nurse, her friend Elizabeth Philpot or the child Mary. Mark Freestone also impresses as Mary’s father, a doctor, the King of Saxony and Henry De La Beche, a fellow geologist.   

As I write, images from the play are crowding through my mind – and that, in my book, is a sure sign of the impression that this excellent production made on me.

 

Last Updated on Monday, 04 February 2013 16:09
 
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